I was recording my song: “IT’S SO SERIOUS!” In a 24 Track Recording Studio just north of Toronto. I’d had invited about 20 jazz musicians including the 5 of us in JOHNNY ROCK AND THE THE MAINSTREET BAND
There were 20 or so musicians drinking strong rum in the manager’s office. I had hired a woman producer who was more of a ballbuster than I had expected. Half the band was black and they don’t like getting ordered around by this white gal. I realized they were plotting to kidnap her and put her in the trunk of someone’s car.
I took over her chair right away, but that didn’t help much. They all could see her through the soundproof glass. They knew where she was…
I was getting worried about her safety. So I took all my clothes of and started singing this next song in my underwear —- I was aiming for some comic effect… when I started barking like a dog, baying like a hound – this got plenty of laughs…
I wanted to bring a pit bull into the studio and have him howl under the microphone, but the manager nixed this idea. The mike cost about 10 Gs and he thought the dog might eat the mike…
So I had to take over. That’s when I wrote this song.
“IT’S SO SERIOUS!”
And I’m glad I did.
(C)1980-2018 by W.G. Milne All rights reserved.
The Critical Edition of Q
A Synopsis including the Gospels of Matthew and Luke, Mark and Thomas with English, German and French Translations of Q and Thomas
Pages: CVII-561 p.
Price: 70 EURO
The Critical Edition of Q: Synopsis including the Gospels of Matthew and Luke, Mark and Thomas with English, German, and French Translations of Q and Thomas, edited by James M. Robinson, Paul Hoffmann and John S. Kloppenborg, culminates almost twenty years of teamwork by the International Q Project, which includes more than 40 scholars from North America and Europe. The outcome of this massive undertaking is an 8-column synopsis on facing pages, which presents the critical text of Q itself in column four, flanked by the Matthean and Lukan texts from which it has been reconstructed, and then, in the other columns, Matthean and Lukan doublets, and parallels from Mark, Thomas, John and the LXX. With all these materials laid out in parallel lines, the study of the Q sayings is greatly facilitated. Toward the bottom of each page the resultant Q text is presented in non-formatted and hence more readable form in Greek, English, German and French. A history of Q Research opens the volume, and a Greek Concordance of the critical text of Q closes the volume. Thus the Critical Edition of Q serves as the standard tool for all Q research of the future.